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Aronofsky describes Lawrence’s process during rehearsal as almost low-key—“She’s in a very Zen, peaceful gear”—and says she didn’t unleash the full arsenal of her performance until cameras were rolling.“It’s such a raw, natural talent she has,” he continues, with a touch of wonderment. But she says there were moments in that were unlike anything she’d experienced as a performer. “It was a tent that had pictures of the Kardashians and wrapped, stories began circulating that Lawrence and Aronofsky were an item.

“I always kind of compare her to Michael Jordan.”“She’s a very brave actress with no boundaries and doesn’t need to be hurt in order to create pain,” says Bardem, adding that Lawrence has the “strength of a bull. “I had to go to a darker place than I’ve ever been in my life. Lawrence says the pair began seeing each other after the movie finished.“We had energy,” Lawrence says, then adds drily: “I had energy for him.

“I’ve been in relationships before where I am just confused.

And I’m never confused with him.”Lawrence and Aronofsky do seem like opposites in some ways, and there’s the age difference, but the partnership clearly appears to be working.

(OK: It is not about sea horses from outer space who take over the White House.)The public’s first clue as to what lurks inside is an unsettling, multilayered film in which Lawrence gives a devastatingly beautiful performance that is equal parts vulnerability and rage and unlike anything she’s done before.

The film jarred me for days after I saw it, and I want——to see it again. but also works on an allegorical plane, too,” the soft-spoken director tells me in a New York City editing suite in early summer.

It’s an incredible run, groundbreaking in its creative and financial might, but Lawrence got there by working almost nonstop through her teens and 20s.

Lawrence says her tank experience was mostly positive until the end, when she realized she’d spun herself around and couldn’t find the hatch opening, and had a brief moment of panic until she located it and got out. “But other than that, I had a lovely time.”The truth is, she can’t stop thinking about She’d sat with Aronofsky and watched it just a couple of hours before.“I wouldn’t have a job if people weren’t going to see my movies. Here’s the basic idea: You enter a room (alone), strip down, step into a handsome white tank that looks a little like an early-generation i Pod, and close the lid.You float there by yourself, in darkness, for an hour, just you and your thoughts, and, if you like, a little mood music. It also may be completely the wrong time to do this, because Lawrence has just seen is about, say, sea horses from outer space who take over the White House, but I can’t.I think it’s going to be the kind of film that people argue about at dinner parties for months, if not years. A celebrated director (] works as a truthful, realistic relationship movie . At the moment, only a handful of people have seen the film, and Aronofsky is cautious about saying anything revealing.I also can’t believe I took Lawrence to a sensory-deprivation tank after she saw it. “Different people will see it different ways, and I’m always inspired by films you remember and are still talking about a few days later.”After writing the script in a flurry—five days, he says—Aronofsky was thrilled to get Lawrence for the part, considering her hectic schedule and the fact that would begin with three months of rehearsals in a Brooklyn warehouse involving the primary cast, which besides Lawrence and Pfeiffer includes Javier Bardem and Ed Harris.“To get that type of commitment from an actor is hard,” he says.

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